I was saddened to hear of Keith Emerson’s death this afternoon. It’s odd for me to read about ELP in articles that don’t lambaste the band as being a trio of pompous wankers for a change. Most of the mainstream press the band has gotten since the mid-80s when I became a fan was not particularly flattering. I wonder if Brain Salad Surgery will enter the charts again. Looking at photos on the Internet I am reminded that I cut my hair back in 1987 to look like Emerson’s coif in the photo on Trilogy.
The band last played together in 2010 and Emerson had been recording albums and touring with his Keith Emerson Band. Sadly, I never I saw ELP nor Emerson solo. This is ELP live here in Madison on 23 February 1993 at the Oscar Meyer Theatre and I really don’t know why I wasn’t at this show. They were in town supporting their reunion album Black Moon which had been released the previous summer. It’s a really nice audience recording.
Close To Home
Still…You Turn Me On
C’est La Vie
Honky Tonk Train Blues
Touch And Go
Pictures At An Exhibition
Fanfare For The Common Man
At the risk of this blog/podcast becoming a posthumous hit parade, I am going to post another show in memory of a rock star who has died recently. Last month on the 18th Glenn Frey passed away. He was 67.
Although best-known for his work with The Eagles, death notices reminded me that his solo work was hard to avoid in the mid-80s with songs like “The Heat Is On” and “Smuggler’s Blues” being ubiquitous.
While the only Eagles song that I care to listen to these days is “Journey of the Sorcerer”, there’s no doubt that Frey and the rest of the band deserve credit for being progenitors of country rock. Not only as The Eagles but also as Linda Ronstadt’s backing band. Plus, like The Eagles and their easy going California sound or not, Their Greatest Hits (1971–1975) has sold something on the order of 30 million copies which is no mean feat.
The Eagles played here in Madison on 19 November 1976 but I’ve never seen a copy of that show. But their performance at Alpine Valley in East Troy, Wisconsin in 1980 is available and so I am posting that tonight. It was 28 June and was their last Wisconsin show before the band went on hiatus/broke up.
I didn’t realize that they played so many Joe Walsh solo tunes – four of them. I was also surprised to see Frankie Ford’s “Sea Cruise” in the setlist.
It’s a very good audience recording.
In The City
King Of Hollywood
The Sad Cafe
I Can’t Tell You Why
Turn To Stone
The Long Run
Life’s Been Good
Life In The Fast Lane
Rocky Mountain Way
Take It Easy
All Night Long
Considering how popular The Long Run was, it is awfully hard to find any live Eagles from 1980. However, live footage from 1977 is quite common. So here’s “Lyin’ Eyes” from 1977, a song the Frey co-wrote and sang lead on.
When David Bowie died a couple of weeks ago I was surprised by the outpouring of sadness. I suppose I shouldn’t have been but the number of article and comments about the man and his influence was really startling. People wrote about how much his music influenced them and their own musical ambitions; about how Bowie’s mercurial sexuality made others feel more comfortable with themselves as gay or bi or transgendered or whatever; while others simply wrote about how much they loved his music and his parade of personas. It seemed that despite not having had a hid or much media exposure for some time, the guy’s music and influence pervaded the lives of people of all ages.
Truth be known, I am not nor have I ever been much of a Bowie fan. I’ve never held any enmity towards the man or his legacy, I’ve just never been enamored of his music. However, I do think “Heroes” is a great song and I like some Tin Machine. And I liked him in Labyrinth and the Twin Peaks. The guy was certainly not untalented. Perhaps it was all those singles from Let’s Dance that put some kind of block in my head.
Regardless, the guy was a legend and hugely influential. And so I am posting his show from here in Madison on 11 October 1974. From what I can tell, this was his one and only performance here.
It took place on 11 October 1974 at the Dane County Coliseum. While not a great recording, it is passable. I believe that this recording has had some hiss reduction applied to it that the version up on YouTube does not.
Memory Of A Free Festival
John I’m Only Dancing (Again)
Rock’n'Roll With Me
The Jean Genie
Can You Hear Me?
It’s Gonna Be Me
Somebody Up There Likes Me
A little over three weeks ago Lemmy passed away. He was 70.
I first encountered him, like lots of folks, via Motörhead, the band he lead starting in mid-1975 until his death. It took a while but I eventually learned that he had been a member of Hawkwind in the first half of the 70s. I went out and bought Hall of the Mountain Grill and loved it.
Lemmy was renowned for leading a rock’n'roll lifestyle of booze and drugs along with the ubiquitous cigarette. Motörhead hadn’t had much popular success, at least not here in the States, in a while yet he kept plugging away playing the music he wanted as trends came and went. The band were arguably proto-thrash with Metallica covering several of their songs.
For me Lemmy was just one of those great characters of rock music and I’m sorry that he’s gone.
This is Motörhead live on 3 June 1977 at the Birmingham Town Hall in – you guessed it – Birmingham, UK. This was billed as a soundboard but sounds like an audience recording. Regardless, it is really nice.
Keep Us On The Road
I’m Your Witch Doctor
Train Kept A-Rollin’
White Line Fever
Last autumn I received an email out of the blue from an old friend. I’ve written about him previously as he and I aided and abetted his decent into Genesis madness back in the mid-80s. This led to the pair of us starting to collect bootlegs, the fruits of this hobby being realized decades later at this very blog. While our initial emails includes tales of just where we are in our lives these days, music has been the subject of the bulk of our correspondence.
In one email he noted that he was heavily into world music and singled out Noura Mint Seymali as his current favorite world artist. “She has a funky band put together by an American drummer,” my friend noted. I found some videos of her on YouTube and was immediately impressed by the funky back beats and Seymali’s voice.
She hails from Mauritania and, quite frankly, I am uniquely unqualified to discuss Mauritanian music. What I can say with some degree of certainty is that her band here consists of her husband Jeiche Ould Chighaly on guitar, bassist Ousmane Touré, and that American drummer, Matthew Tinari. Because of the instrumentation, the music is easy on Western ears. Chighaly processes his guitar sound most of the time – sounds like a phase pedal or something similar to my ears – which gives it a sound that is a bit psychedelic and a bit exotic or non-Western.
I’m sure there is someone out there who can discourse on Seymali’s music and singing styles, on how they combine various North African traditions and so on. That person is most definitely not me. Just listen because this is a fantastic show.
This concert was recorded at Kantine Berghain in Berlin on 19 August 2015 and broadcast on the radio so the fidelity here is quite good.
Tonight is night two of the 2016 edition of FRZN Fest here in Madison at the High Noon Saloon. However, I am posting a show by someone who played last night – Torres.
Torres is the pseudonym for Mackenzie Scott, a young woman who lives in Nashville, from what I can tell. I am completely unfamiliar with her music beyond this show which, from what I’ve heard so far, ranges from ambient synth to heavy droning guitar that reminds me of Mogwai to alternapop. I must also admit that she has a powerful and emotive voice.
This is Torres’ set from last fall when she was opening for Garbage. It took place on 17 October at the Riviera Theatre in Chicago.
Mother Earth, Father God
As I type the 2016 FRZN Fest is underway at the High Noon Saloon. The winter festival is now in its fifth year of trying to lure folks out of their homes to brave the cold.
I’ve never been and most of the bands are completely foreign to me. I played music trivia at the High Noon earlier this week (and we took first place, I don’t mind telling you) where FRZN Fest artists were played as we endeavored to come up with the correct answers. And so I’ve sought out the bands in this year’s line-up and come up with a couple shows.
I found a show by All Them Witches who hail from Nashville. The band is:
Robby Staebler – drums
Michael Park, Jr. – bass, vocals, guitar
Ben McLeod – guitar
Allan Van Cleave – keyboards
While I have not yet listened to this entire show, I have heard a couple songs and the band has a heavy psych-rock sound – very 60s sounding. So far, so good.
This is their show from last month on the 3rd. It was at the Boot & Saddle in Philadelphia, Pennsylvania and is a very good audience recording. Sadly, there are people chatting near the recorder but it’s not too distracting.
The Marriage of Coyote Woman
The Death of Coyote Woman
Call Me Star
Blood and Sand/Milk and Endless Waters
Swallowed by the Sea
Funeral For a Great Drunken Bird
When God Comes Back
It is tradition here at Up the Downstair to begin every new year with a show by Genesis or a related artist whether it be a solo concert by a former member or a tribute to the band. I don’t recall every starting the year with a Steve Hackett show and, since I saw him last month, I am going to post one of his performances.
I’d seen Hackett prior to his concert in South Milwaukee last month but it was a solo acoustic show back in 2005 at Shank Hall in Milwaukee. And so I was excited to see him electric with a full band. He did not disappoint.
Without making this into a review of last month’s concert, I do want to point out that the first set was his solo material while the second was all Genesis. Hackett, of all former band members, has been the most unafraid to incorporate the band’s music into his solo gigs. Indeed, he has revisited his work with Genesis on two albums which feature reworked versions of classic 70s tunes. On the other hand, Hackett unapologetically featured several songs from his most recent album, Wolflight, in South Milwaukee.
He takes a similar approach here. This concert is from 29 June 2010 at the Park West in Chicago, Illinois. About half the show is comprised of songs from the then-current Out of the Tunnel’s Mouth while the other half features solo tunes from the 70s and a couple Genesis songs. This is a relatively short performance as Hackett was sharing the bill with Renaissance. But it is a really nice audience recording.
Emerald and Ash
Fire on the Moon
Ace of Wands
Firth of Fifth
Japan’s Melt Banana swung through Madison earlier this summer for a gig at the High Noon Saloon.
I first heard of them a few years ago and they were referred to as being a punk band but, after listening to this performance, it’s quite obvious that they’re much more than that. There’s punk to be had here – just listen to their hardcore take on Devo’s “Uncontrollable Urge” – but there’s also thrash, noise rock, industrial, melodic pop, and other sub-genres unbeknownst to me thrown in for good measure.
The band was formed in 1992 by singer Yasuko Onuki who soon recruited guitarist Ichirou Agata to the cause. They apparently had a bass player at some point and have performed with a whole host of drummers. However, this summer’s tour featured only Onuki and Agata with bass and drum duties given over to a laptop. I’d imagine that there are certain limitations when your rhythm section is a MacBook but Melt Banana don’t seem particularly interested in improvisation. Instead they are keen to pack their short, concise songs with as much maniacal energy as they can.
Here they are from the High Noon Saloon here in Madison on 15 July.
Lie Lied Lies
Lefty Dog (Run, Caper, Run)
Chain-Shot to Have Some Fun
Cat Brain Land
Cracked Plaster Cast
Schemes of the Tails
Halo of Sorrow
My Missing Link
Blank Page of the Blind
Here’s the band doing a couple of cover songs about two weeks after their Madison show out in Long Beach, California on 30 July. “Monkey Man” by oots & the Maytals is followed by “Uncontrollable Urge”.
My brother passed away back in the spring and I am posting some shows that he attended as well as shows by bands that he liked but for which he did not leave behind a ticket stub.
When my brother saw Santana at the World Music Theatre in the summer of 1990, the amphitheater was all shiny and new. From what I’ve been able to glean from the Interwebs, the first show at the new venue was less than three months earlier on 2 June when Cher graced the stage. The venue has hosted countless bands since then and undergone four or five name changes as well.
I never knew my brother to be a big Santana fan. It’s not that he disliked them, mind you, it’s just that I don’t recall him having any of their albums. Perhaps he went along with friends to party while having no great affinity for the band. Or he genuinely liked their music. I’ll never know.
Looking at the ticket stub, I recalled that I was starting college that fall and that I had moved into my dorm room a day or two before this concert. If memory serves I spent this night at a house party on the 600 block of West Dayton and it got busted by the police. I walked out unscathed and I recall a friend exiting a basement window and headed for the Howard Johnson (now the DobleTree) pool.
And what about Santana in 1990? This was nine years before Supernatural and its ubiquitous hit single “Smooth”. The band and its namesake, Carlos Santana, were legends at the time, of course, they were, as I remember it, a nostalgia act. Classic rock radio would play “Black Magic Woman” and “Oyo Como Va” while their newer material was generally avoided. The most recent bout of Top 20 fame of theirs that I can recall was “Winning” from their 1981 album Zebop! which was on the radio frequently.
At the time of this concert Santana were out in support of the album Spirits Dancing in the Flesh which had been released a couple months previously. I remember finding the album in the collection of a girlfriend of mine a couple years later but I can’t say that I recall ever listening to it. To the band’s credit, they play six of the ten tracks on the album here instead of simply relying on the old hits.
The concert was broadcast on the radio by WXRT in Chicago. Credit must go to the person who converted this from the original recording as she or he did a good job of getting rid of the announcers.
Angels All Around Us >Spirits Dancing in the Flesh
It’s a Jungle Out There
Somewhere in Heaven
Batuka >Nobody That I Can Depend On
Just a Jam > drums & bass > Solo bass >
We Don’t Have To Wait > Walfredo De Los Reyes> Benny Rietveld
Black Magic Woman > Gypsy Queen > Oyo como Va
Goodness & Mercy
She’s Not There
Peace on Earth/Mother Earth/Third Stone from the Sun
Europa > Jingo